In Tongues is the first project released under the real name of Japanese artist Joji Miller – showing massive divergence from the Youtube personas he may be better known for.
The London hardcore mob are a self described negative hardcore band, a description couldn’t be any more true.
Beneath the crust / hardcore punk facade Yards have successfully injected a gamut of their influence into Excitation Threshold – the result is a well rounded and considered and incredibly vicious punk record.
The band features Tom Lacey, the former front man of the now defunct hardcore punk band The Ghost of a Thousand.
The chaotic and noisy hardcore punk is of the previous two EPs is still prominent, however, there is a grander scale to the writing and to the overall tone of Excitation Thresholds.
Yards are most at home in the dark, playing incredibly well into the cover art for the record – dark overtures of the instrumentation drag the listener tooth and nail into a swirl of violent emotion, bloody knuckled and torn, alone and lost.
Everything You Love Reduced To Rubble ramps up the dense atmosphere – shrill Victorian doll house melodies mix sharply with the sheer discordant cacophony of Axe to Fail era Converge riffs.
BL-755 is where the band are at their most creative – the crackle of guitar feedback, the rumbling of the bass all works together to punctuate the album with a slow, foreboding song that fits perfectly encapsulates cover art.
If there’s one word that describes this record – it’s feral, the instrumentals are savage and lyrics are barks through blood and sinew – an LP where every note, every word carries actual weight.
Another post of me talking about by-gone releases (surprise, surprise) – but that isn’t to say that this demo is any less impactful because I’m roughly a year late.
Krimewatch’s demo and promo were possibly the best hardcore punk releases to have graced 2016, if not one of the most important punk to have come out in recent years.
Krimewatch are a four piece punk outfit from New York City, playing their own hook ridden take on 80’s hardcore punk.
The demo opens up with a body swaying bass line, moving to thick and fast riffs with energetic singing – all these facets are small tasters for what Krimewatch are about.
Vocalist Rhylli shows off her mastery in penning irresistible punk hooks, her aggressive vocals are the motor driving the furious instrumentals.
The sharpest tool in the band’s arsenal is the superb instrumentation, the swinging guitar riffs, smashing drums and menacing bass lines – every element molded together to form incredibly compelling modern punk.
In the six minutes Krimewatch take to rage through their demo, they have far more impact than most bands manage to have across their entire discographies.
Krimewatch aren’t a band who just play their own variation of hardcore punk, they take the meat and potatoes of the genre and create something uniquely their own.
Perth sad sack quintet follow up their debut release Selling Beds with an introspective look at young life in Users.
The two track opens with the energetic Malt House, a swift ode to a Perth pub – memories and underage drinking are set to melodic punk.
However, the title track is set to the backdrop of glimmering guitars, roomy drums and morose lyricism.
The distant vocal production further emphasis the numbness of the subject – guitars twinkle and fade away carrying a striking amount of emotional weight.
The contrast between the two tracks shows a band comfortable with bearing their soul and showing off stylistic flexibility.
Path To Amnesty
I’m fairly late in talking about this band – but I’m normally pretty behind when talking about any new(er) releases.
XSERVITUDEX vegan straight edge band with members from a host of UK bands including; ex-Gaia Bleeds, Revolve and Stranded.
Their debut release Path of Amnesty is a metalcore tour de force – packed to the rafters with discords and body shaking, ignorant breakdowns.
XSERVITUDEX fully embrace H8000 and Euro mosh metal influences – even down to the artwork for the EP.
Starting from this week I want to give attention to bands or releases I don’t think get talked about enough in hardcore.
New and arguably fantastic music is released on a weekly basis – with new bands and demos cropping up all the time!
There isn’t a great deal to say about this release – Big Cheese absolutely nail their NYHC sound – if you like bands like Breakdown – Aggravated Mopery is essential listening!
The worst part is how underrated Big Cheese are. They’re set to play The Underworld is Camden with Trapped Under Ice in October with a stacked line-up.
The 7” will be out via Quality Control Records HQ soon.
Check out the Aggravated Mopery here
Forge are yet another band – in a long list of Floridian bands releasing incredible metallic hardcore. None of the five tracks reach the three minute mark but every song has it’s own intensity and subtle influence shifts.
The demo is free to steam/download here
Quality Control HQ
ANOTHER release from Quality Control HQ – except I’m three months late writing about this band…
Do you like Uniform Choice? If yes, then you would be stupid to sleep on Standpoint. The demo has a distinct energy – there’s huge striking power and flexes hard.
Check it out on Quality Control’s bandcamp here
Year Of The Knife
Year Of The Knife bring it hard and fast with brand of distortion drenched 90’s metal influenced hardcore. Ultimate Disease is a storm of mid tempo riffs; building on the thick, stalking guitars and furious tom rolls of Y.O.T.K. While being a track designed to get adrenaline racing feels very meat and potatoes and isn’t where the brilliance of the promo release shines. Your Lucky Day is teeming with energy. Where previous tracks show off the trudging heaviness of the band, Your lucky Day has far more dynamic quality. The song structure has greater depth and powerful vocal work playing off the terrifying instrumentation really makes this release stand out.